Archive for May, 2014
Today is the 31st Anniversary of the 1983 US Festival. The US Festivals (US pronounced like the pronoun, not as initials) were two early 1980s music and culture festivals sponsored by Steve Wozniak, formerly of Apple Computer. The first was held Labor Day weekend in September 1982 and the second was Memorial Day weekend in May 1983. The 1982 US Festival was the first major festival since Cal Jam II that was not a charity concert—it was intended to be celebration of evolving technologies; a marriage of music, computers, television and people. That continued in 1983, even though Wozniak had lost millions on the first US Festival. The festival also had large air-conditioned tents featuring the US Festival Technology Exposition— a dazzling display of then-cutting edge computers, software, and electronic music devices. Also making a debut were installations of "out-door rain" - perforated pvc nozzles that sprayed water to fight the fierce hundred degree heat.
I attended Heavy Metal Day in 1983 with my friend Robert and arrived on Saturday May 28 during New Wave Day. There was a sea of cars, miles of them, and thousands of people milling around everywhere. School buses would take you back and forth to the entrance to this new make-shift venue. I do remember shortly after finding a spot to park some guys in a panel truck backed in asking if the spot was taken opposite of us. We said "no", they parked and then opened up the back of the truck, loaded with two kegs and the party was on.
There was small creek within walking distance near by, and we walked over there to cool off since it was close to 100 degrees that day. There was a hillside with a sharp incline on the other side of the creek, and many people scaled (or tried to scale) it during the day and in the time we were there. There was plently of poison ivy around so you weren't going to catch me scaling anything. I saw a few people walk right through or fall onto poison ivy, I could imagine that probably made the concert the next day really fun. I also remember hearing Oingo Boingo, English Beat and Flock Of Seagulls during the day when we were within the vicinity of the venue.
Steve Wozniak paid for the bulldozing and construction of this new open-air field venue as well as the construction of an enormous state-of-the-art temporary stage at Glen Helen Regional Park near Devore, San Bernardino, California. This site was later to become home to Blockbuster Pavilion—now San Manuel Amphitheater. Apparently the festival stage has resided at the Disneyland theme park in California since 1985 and had operated under various names and functions as the Videopolis dance club, the Videopolis Theatre, and the Fantasyland Theatre. On that day it was soon to have some of the best rockers of the era on it.
As darkness fell and more and more people arrived for Heavy Metal Day, one big night-time Rock Festival within itself started. KMET and KLOS blarred from car stereos, as well as music from the cassette decks and boom boxes of the bands we would be hearing the next day. The smell of BBQ's and marijuana billowed into the air. We walked around in this small city of rockers that seemingly extended forever. It definitely was one huge party, with bonfires everywhere and virtually no supervision. We partied that night, and went to sleep in the car eagerly anticipating what was to come the next morning.
We woke up, stretched out from sleeping in odd postions in the car, and made our way the few miles to the entrance to the venue. It was early in the morning, probably 8am or so, and there was already thousands of people waiting to get inside, looking to get as close to the stage as possible. Once we got inside concert goers had layed blankets down, taking claim to their spots. Somehow a few got in, considering there was no coolers, outside food, chairs or towels being allowed. Those with blankets, ect., lasted for awhile, but slowly but surely, as the day progressed, so did the intensity of the crowd. Needess to say, no one was sitting down or laying on a blanket and all of that was swallowed up in this mass of people.
Here was the lineup and times:
Sunday May 29th:
Quiet Riot [12:10 - 12:50 pm]
Motley Crue [1:20 - 2:20]
Ozzy Osbourne [2:50 - 4:00]
Judas Priest [4:30 - 5:40]
Triumph [6:10 - 7:20]
Scorpions [7:55 - 9:10]
Van Halen [10:00 - midnight]
Finally the time had arrived with the first rock act hitting the stage: Quiet Riot. Randy Rhoads (who left to play with Ozzy in 1979) had passed away by now, and Quiet Riot had long since found Carlos Cavazo to play guitar. The Los Angeles metal scene was taking over, and Quiet Riot as well as Motley Crue were the two biggest new bands to come out of L.A. at this time. Quiet Riot was raring up the charts with the "Metal Health" album, which ultimately became the first metal album to go #1 on the Billboard charts. The late Kevin DuBrow instantly got the crowd fired up, and it didn't stop for hours! Heat exhaustion to go around!
"It was the day new wave died and rock n' roll took over" - Vince Neil, in a famous quote regarding the overwhelming attendance on Sunday, "Heavy Metal Day", at the '83 US Festival. It set the single-day concert attendance record for the US with an estimated 375,000 people. Showtime recorded the event and aired a 90-minute special for each day of
the festival, which is where most of this footage comes from. Motley Crue had not yet released "Shout At The Devil", but it was due out soon, and the band performed songs from the album. Motley really was coming into their own at this point and their following was growing and growing nation and worldwide.
Ozzy Osbourne rocked the US Festival with the first live performance with guitarist Jake E. Lee, who shined in this huge first gig. The head dress Ozzy wore during the show was well publicized and photographed, even though it only lasted for a few seconds before he tore it off. Ozzy's band at this time included Jake E. Lee, Bob Daisley on Bass, Tommy Aldridge on drums and Don Airey on keyboards. Ozzy released "Bark At The Moon" later that year.
It was blazing hot during his set, with the crowd looking for the "out-door rain" stations to cool off, before heading back into the madness! The concert organizers actually gave away water to the crowd, something that would never happen these days.
Judas Priest hit the stage next and thankfully near the end of it, the temperature started to cool down a bit. The Metal God and the rest of the band were at their peak in 1983, a fully confident unit, effortlessly rocking everyone and everywhere they played. The "Screaming For Vengeance" album was just huge, and when the band played "You've Got Another Thing Coming" the crowd went absolutely fucking nuts!
As Canadian trio Triumph got ready to hit the stage next, the crowd got a second wind, as the temperatures dropped and the rock kept on coming. Rik Emmett, Gil Moore and Mike Levine were ready to put on the show of their life, and they didn't disapoint. The band had a great core of material to work with at this point, and had released the album "Never Surrender" earlier in 1983. Great set as the sun set! The band released a live DVD of the US Festival set back in 2003, so there is all of their full set here. They were smart to retain the rights to the video for their set. Awesome footage:
The Scorpions were up next and just fucking blew doors! They were another band who I really felt were at or close to their peak of impact. Sure, they still released "Love At First Sting" a year later, but played the US Festival with a full arsenal of rock from the "Blackout" album and their past catalog. Just an awesome set!!
Before Van Halen hit the stage, there was a fake UFO flying around. It looked so fake, it just seemed stupid and I didn't really see the point in it, somebody was trying to be creative I guess?
Van Halen received an upfront sum of $1 million to headline the 1983 US Festival. It was then upped to $1.5 million after it was discovered that David Bowie was to be paid $1 million. Van Halen had a clause in their contract that they would be paid more than any other act performing at the festival. In contrast, on New Wave Day, The Clash refused to play unless some donations were made to charities or other such noble causes by Wozniak and some of the other major bands. Before the Clash began their set they made angry comments about the barrio conditions in Los Angeles. After The Clash performed, the DJ began speaking right away and Clash guitarist Mick Jones attacked the DJ, believing he was trying to prevent an encore.
This and The Clash's ironic criticism of the festival in the press conferences and in interviews prior to the event caused an argument backstage between Van Halen frontman David Lee Roth and The Clash singer Joe Strummer. This may have also been started by a comment guitarist Eddie Van Halen made in Rolling Stone magazine one month prior regarding the punk movement ("...that's like what I played in my garage when I was a kid, man."). A clearly intoxicated Roth compounded this rivalry by insulting The Clash on stage early during Van Halen's headlining set with his comment, "I wanna take this time to say that this is real whiskey here... the only people who put iced tea in Jack Daniel's bottles is The Clash, baby!" This was Roth's only mention of The Clash on stage that night. Many people in the audience thought Roth was way too drunk and the show suffered because of it. I stayed longer than most however, as it had been a long, long day. We heard "Happy Trails" as we were heading out. Looking back on the video, I wouldn't really change anything about their performance though, because it was Van Halen history!
Here's an interview with David Lee Roth from MTV with Mark Goodman:
The set kicked off with "Romeo's Delight". Here's the whole set with great clips of 'Runnin' With the Devil', 'Pretty Woman' and 'You Really Got Me/Happy Trails' that is the best footage I've seen of the band at Glen Helen.
We after we made our way back to our vehicle, partied a bit and mellowed out while recollecting about what an amazing day it had been we crashed and got ready for the trek back home. My one last memory of US Festival '83 goes like this: I became separted from my friend Rob after hopping out of his vehicle to retrieve something from someone while in line to exit. I then couldn't find his car in the sea of vehicles. Don't ask me why I got out of the car..anyway, I was lucky enough to find a couple of guys who I had met before that lived in Pismo Beach, near my hometown. Yeah, I had to ride in the back seat for hours in a Trans Am with virtually no leg room (my knees were up in my face), and couldn't walk when I got out, but these guys gave me a ride to my front door. Looking back, I can't believe my parents let me go to this show, since I was a sophmore in high school, but I am glad they did. My daughter would certainly not be going away to a music festival as decadent as this one, although they don't do festivals like this in the U.S. anymore. It was insane fun and it was my Woodstock and I'll never forget it!
Here's an Artisan News Report from June of 2010 about that years Ozzfest, where Ozzy, Judas Priest's Rob Halford and Motley Crue reflected on the last time they had all played together...it was at the US Festival:
Good vibes with John Mayall, Trombone Shorty and Gregg Allman at the 21st Annual Avila Beach Blues Festival
It was a beautiful Memorial Day beach weekend, and when you add to it the likes of John Mayall, Troy "Trombine Shorty" Andrews & Orleans Avenue and Gregg Allman, the lineup for the 21st Annual Avila Beach Blues Festival made it a Central California coast Sunday (May 25) like no other.
Pretty of sunshine, palm trees, good vibes and good brews added to the feel good festivities at the Avila Beach Resort as John Mayall hit the stage to kick off the festival. Mayall played the first Avila Beach Blues Fest, and it was a pleasure to have him back, as and his band got the crowd going and feeling great. (click on photos to enlarge)
Mayall ran through a set of his best, wrapping up with 'Room To Move.' The living legend showed that at 80 years of age, the music continues to keep him young, and for that matter, the rest of us as well.
I was eager to see Troy "Trombone Shorty" Andrews & Orleans Avenue live in person for the first time and the band really delivered a dynamic and exciting set showcasing the talents of he and his stellar players. Andrews himself started playing trombone at the age of 6 and comes from a long line of New Orleans musicians. At the age of 19, he got his big break as a featured member of Lenny Kravitz's horn section on a world tour that shared billing with acts including Aerosmith. He has since toured with his own bands since 2009, and has ascended to becoming one of the most in demand horn players in the world.
The legendary Gregg Allman has gone through some rough times so far in 2014, with a few health issues and the tragedy that happened on the set of the Allman biopic "Midnight Rider" (on which production has since been stopped), but you wouldn't know it, as the total pro delivered a show with that distinctive voice that can only be his. A set of all his best wrapped up an unforgettable day by the beach in beautiful Avila Beach. Can't wait until next year already!
Special thanks to Jill Kettles
Drummer Kenney Jones (Small Faces, Faces, The Who, The Law) has announced he will be reuniting with his former Who band mates Roger Daltrey and Pete Townshend for a benefit concert for prostate cancer awareness.
Following a routine check up last summer, Jones himself was diagnosed with prostate cancer. After an MRI scan showed the disease had not spread, he underwent treatments in January. The concert, dubbed 'Rock 'n' Horsepower' will benefit Prostate Cancer UK, which was a huge support in Kenney's diagnosis and recovery.
The concert will be held June 14 at Ewhurt’s Hurtwood Park Polo Club. Genesis’ Mike Rutherford and the Moody Blues’ John Lodge, and Procol Harum will also be a part of the lineup. “The line up is looking amazing,” said Jones. “I have a number of very talented friends on board who are set to make this day a totally unique event,” he added. Jones joined the Who in 1978 death after the death of drummer Keith Moon and was with them through 1988.
The epic battle months in the making finally went down last night, as Chad Smith (Red Hot Chili Peppers, Chickenfoot) and Will Ferrell staged their 2014 drum-off on The Tonight Show Starring Jimmy Fallon, Watch the battle with some surprise special guests below.
Back in February, Chad Smith was participating in a Reddit chat and was told he looked like Will Ferrell. That set off a verbal battle between the two that culminated with the drum-off last night.
So funny and such a great cause as the drum-off benefits two charities. Little Kids Rock, for Chad, the largest free instrumental music program in the U.S. public schools, having enriched the lives of more than 300,000 schoolchildren, as well as Cancer For College for Will, which provides financial aid to cancer survivors in the form of college scholarships. Go to the charities pages to find out more and support the cause buy purchase some official drum-off merch, including t-shirts and even a cowbell at these links : www.represent.com/drumoff or www.gumroad.com/drumoff
A new series set to premiere June 8 on The History Channel about the pursuit of the Kodiak Brown Bear has tapped a man with a legendary roar of his own to narrate. James Hetfield of Metallica will be the voice of an eight- episode series that documents one of the most dangerous pursuits known to man. 'The Hunt, will document a select group of hunters that head into the wilderness battling the elements and looking out for the largest land predator on Earth – the Kodiak brown bear.
Hetfield lists hunting as a hobby, so he was game to be a part of the show. An official press releases says:
"Bear hunting on Kodiak goes back millennia, tracing back to the early Alutiiq people who sought these enormous creatures to provide food and raw materials. Today, the bear hunt remains a cultural fixture on Kodiak and is crucial to the delicate natural balance on the island. Strictly regulated by the Alaska Department of Fish & Game, every year thousands of hunters apply for one of 496 tags that are given via a lottery system. While Alaskan residents may hunt by themselves, outsiders must hire seasoned guides who are experts in both the Kodiak brown bear and the island terrain. At the root of their craft, these guides have a profound reverence for this animal.
The average Kodiak brown bear hunt is 10 days, most of which are spent living off the land with only the supplies carried on the backs of the guide and hunter. During that time, expeditions trek miles of treacherous terrain, often enduring ferocious weather changes that can become extremely dangerous at a moment’s notice. The game they’re hunting can grow to be 12 feet tall, 1500 pounds, and are armed with razor sharp claws and powerful jaws. The Kodiak brown bear also possesses an eerie elusiveness and a sharp intelligence that is not to be underestimated. They have the ability to blur the lines between the hunted and the hunter.
Most of the hunters look at Kodiak as the hunt of a lifetime, yet less than half walk away with their tag filled. While getting a bear is no easy task, most hunters still value time-honored traditions by hunting with bow-and-Arrow, black powder single-shot rifles, and/or use the minimum amount of technology possible. Honoring the animal is paramount and taught to all hunters who come to the island. Hunters have an ethical and legal responsibility to strive for clean kills that is taken very seriously. There are pages of stringent regulations they must follow that ensure respect for the animal and the land."