Tag: Bill Ward
We now know who the richest drummers in the world are, and it really should be no suprise who is #1. Celebritynetworth.com compiled all information including salaries, real estate holdings, divorces, record sales, royalties and endorsements to come up with the figures. The final net worths come from a formula that takes out taxes, manager’s fees, agents fees, and lifestyle. Check out the Top 30 below.
The 30 Richest Drummers in the World:
1. Ringo Starr – $300 Million (The Beatles/Solo)
2. Phil Collins – $250 Million (Solo/Genesis)
3. Dave Grohl – $225 Million (Nirvana/Foo Fighters)
4. Don Henley – $200 Million (The Eagles)
5. Lars Ulrich – $175 Million (Metallica)
6. Charlie Watts – $160 Million (The Rolling Stones)
7. Larry Mullen Jr. – $150 Million (U2)
8. Roger Taylor – $105 Million (Queen)
9. Joey Kramer – $100 Million (Aerosmith)
10. Chad Smith – $90 Million (The Red Hot Chili Peppers/Chickenfoot)
11. Travis Barker – $85 Million (Blink 182/The Aquabats)
12. Stewart Copeland – $80 Million (The Police)
13. Alex Van Halen – $75 Million (Van Halen)
14. Nick Mason – $75 Million (Pink Floyd)
15. Tommy Lee – $70 Million (Motley Crue)
16. Bill Ward – $65 Million (Black Sabbath)
17. Jon Fishman – $60 Million (Phish)
18. Carter Beauford – $55 Million (Dave Matthews Band)
19. Rick Allen – $50 Million (Def Leppard)
20. Tre Cool – $45 Million (Green Day)
21. Danny Carey – $40 Million (Tool)
22. Tico Torres – $40 Million (Bon Jovi)
23. Max Weinberg – $35 Million (Bruce Springsteen and The E Street Band/Conan O’Brien)
24. Mickey Hart – $30 Million (The Grateful Dead)
25. Bill Kreutzmann – $25 Million (The Grateful Dead)
26. Neil Peart – $22 Million (Rush)
27. Taylor Hawkins – $20 Million (Foo Fighters)
28. Questlove – $16 Million (The Roots, Jimmy Fallon)
29: Steven Adler – $15 Million (Guns N’ Roses)
30. Mick Fleetwood – $8.5 Million (Fleetwood Mac)
Black Sabbath played their only scheduled U.S. concert date this year in Chicago’s Grant Park on Friday for Lollapalooza 2012. Saturday brought some major storm activity to the festival, causing a cancellation of a couple of band's sets and a delay to the set times, but Friday was a hot and humid evening for Sabbath.
The band (minus original drummer Bill Ward) delivered a crowd-pleasing 16-song set, wrapping up with a performance of 'Paranoid.' During 'Iron Man,' Ozzy Osbourne ran over to kiss the woman who was offering sign language translation for the deaf audience members and managing to keep up with the band throughout. Check out video of the show below.
Black Sabbath’s Aug. 3 Lollapalooza Set in Chicago:
Beyond the Wall of Sleep
Into the Void
Under the Sun
Symptom of the Universe/Drum Solo
Faries Wear Boots
Children of the Grave
Black Sabbath played a homecoming show Saturday night (May 19) at the O2 Academy in Birmingham, the first of only three gigs the band have announced this year. It was Sabbath's first show in seven years and the 4,000 fans in attendance hung on their every note. Check out the footage below.
Despite the bummer of drummer Bill Ward not being a part of this reunion, the fans accepted the already well versed in the ways of Sabbath Tommy Clufetos on drums, since he plays in Ozzy Osbourne’s band. Ozzy, Tony Iommi, Geezer Butler and Clufetos ran through 18 songs, opening with 'Into the Void' and closing with the classic 'Paranoid.'
Geezer Butler wrote on his website after the gig, saying, "Thank you, thank you, thank you Birmingham. Best fans ever — you brought out the best in us. It was a privilege playing for you tonight. Tony was a hero — you were the best medicine he has had. Proud to be a Brummie."
Black Sabbath's remaining concerts this year are June 10th at the Download Festival in the UK, and August 3rd Lollapalooza, which takes place August 3-5 in Chicago.
Black Sabbath’s May 19 Setlist:
Into the Void
Under the Sun
Wheels of Confusion
Behind the Wall of Sleep
Fairies Wear Boots
Symptom of the Universe
Children of the Grave
Sabbath Bloody Sabbath (Intro)
Bassist Geezer Butler said on the morning of the concert in Birmingham that Bill Ward had asked for too much money for the Download Festival gig next month. Yesterday, Ward posted this response to Butler's comments on his website:
"Dear Sabbath Fans and Musicians,
I have read Geezer’s statement of May 19, 2012 titled "Heavy Heart." Out of respect for the Birmingham gig, I wanted to wait 24 hours before releasing this statement. There are some points he brought up which I want to respond to.
1) I had indeed notified Ozzy, Tony and Geezer, well before my first public statement, that I was having contractual difficulties.
2) I came out into a public forum to be accountable to the fans primarily, and to say at a public level there’s a problem. The band members stopped talking and corresponding with me some time ago, with the exception of a nice letter from Tony on my birthday. Prior to that, Geezer and I were corresponding, but that stopped abruptly in late February after I emailed a specific question to him.
3) In my statement of May 15, I clearly stated I would play Birmingham for free. That was not a problem – charity or otherwise.
4) My Download fee was not an extravagant amount. Originally, when Download was part of a full tour, I had asked for a decent fee. More recently, as we were negotiating just Download/Birmingham and Lollapalooza, I told my attorney that I would accept the proposed small Download fee, but there were other parts of the offer that were unsatisfactory.
I will continue to be honest and respectful towards the band and our fans. I will also confront any untruths about me, and any fault finding missions aimed at me that come to my attention.
I hope the band and the fans had a good gig in Brum.
Stay safe/stay strong.
Black Sabbath News: Bill Ward will not be a part of reunion, band pulls all images of Ward off website, Tony Iommi and Geezer Butler remember Ronnie James Dio on the second anniversary of his passing
Black Sabbath drummer Bill Ward won’t be rejoining the band for the upcoming two tour dates, or at Lollapalooza in Chicago on August 3rd. Ward released a statement this week on his website:
Dear Sabbath Fans and Fellow Musicians,
I sincerely regret to inform you that after a final effort to participate in the upcoming Sabbath shows a failure to agree has continued. At this time I have to inform you that I won’t be playing with Black Sabbath at the Birmingham gig dated May 19th, 2012, nor will I be playing at Download on June 10th, 2012. Further, I will not be playing at Lollapalooza on August 3, 2012.
It is with a very sad heart that I bring you this news. I am sincerely passionate in my desire to play with the band, and I’m very, very sorry that it’s fallen to this. This statement is even more painstaking to write, as I was particularly excited to play alongside Tony Iommi after the recent treatments he underwent. I wanted that to become a reality.
To express my thoughts about you, the Sabbath fans, I’m going to speak to you all through an experience my brother James had recently. My brother Jimmy lives in the U.K. When speaking with him a couple of days ago, he told me that an acquaintance had stopped him on the street and confronted him, “is your brother playing Birmingham? What’s going on? I waited in line with my son and paid x amount for the concert tickets.”
The man’s son is a young drummer. He’s going to see Sabbath, and he wants to see Bill Ward play drums. Upon hearing this news, I felt horrible. I couldn’t help feeling some resentment towards the failure to reach an agreement, the failure to remember where we came from, the failure to be as brothers, as we once were. To be clear, I’m not blaming the other guys or finding any faults with them. I would think it can’t be easy for them either, but this situation is just really sad. It’s sad that it’s come to this. “This” will surely leave a mark and be unwelcome to the memory. Hopefully “this” will heal and pass in time.
My heart sank when Jimmy told me about this young boy. I know this boy is going to be disappointed, and I don’t know how to amend it, other than to put my arms around the boy and tell him I love him. Sabbath fans have a voice and a face, to me you’re human, you have families and despair. You have ferocity and emotions and graciousness, and at this moment as far as I’m concerned you are also that young boy in England. I don’t know how to amend my part in these failings other than to put my arms around you and say I love you and let you know I’m very, very sorry.
Throughout this process, which began over a year ago, I have had to stand up for myself time and time again. I have had to stand up for myself and in doing so realize my actions indirectly, although unintentionally, are upsetting and hurting a lot of you. I know in my heart I couldn’t have done these concerts by agreeing the terms suggested. I made a solemn vow after the last European and Ozzfest concerts that I would never again enter into what was, in my opinion, a totally unsatisfactory contract. I have to stand for something, and as painful as it is, I’m doing it.
Earlier in April 2012, I’d been asked to participate “minimally” in the Download festival. I believe I’d been offered no more than three songs to play while another drummer presumably played the rest of the show with Black Sabbath. I was not willing to participate in that offer. I was not prepared to watch another drummer play a Sabbath set, while I was to play only three songs.
I found out about the Birmingham gig on Monday, April 30 through the Internet ad. I was taken aback somewhat by the date, and the fact it was Birmingham. Knowing the “signable” contract negotiations were at best in shreds, I was upset by the idea that the band was going to play Birmingham and play it assumedly without me. I had no prior knowledge of the date and location, and I felt totally excluded. We contacted the representative for Black Sabbath to see if something could be worked out. In the meantime my drum crew and I, along with our US endorsers, finished all the necessary planning for a swift departure to the UK. There wasn’t a whole lot to complete; we’d all been on standby more or less since mid-January 2012. The remaining work in the UK was confirmed done by our European and UK endorsers and we were good to go by Friday, May 4 2012. There were two stress points: firstly, getting an agreement in place, and secondly, getting to England in a timely manner. Jetlag time was taken into account as well as drum practice, a drum practice room in the heart of Birmingham, accommodation, and travel arrangements were all in place to meet with any band rehearsals that may have transpired before the Birmingham show. So far everything that had been arranged was on my dime, but we didn’t move ahead without a realistic confirmation.
Communications between the representative and my lawyer continued through the weekend of May 5 finalizing on Wednesday, May 9. The offer we received on May 9 was, “come to the UK, play for free and see how the first show goes.” I was tempted. Playing for free would not have been a problem for me, but “seeing how the first show goes” left an element of risk which could have affected Download. My ideal thought was to play in full the Birmingham show, in full Download, and in full Lollapalooza.
I had notified the representative that May 10 was my cutoff day in order to have good lead-in time for England. On the night of May 9 I asked for a brief letter to be sent to the representative asking to find out if we were at an end. On the morning of Thursday, May 10, I received a reply in the affirmative. After consulting with my advisors and crew a decision was made to let go and stop.
I can’t prioritize the Sabbath fans making one show more important than the other. I can’t do that. All of you are important. It’s all the gigs or none at all. I can’t come to Birmingham and “see what happens” knowing there is a risk of not being able to play Download or Lollapalooza. Again, for me, it’s all or nothing. I had to say “no” to Birmingham on the principle of wanting to play all the shows. Saying no to Birmingham is very difficult for me. My family grew up in Birmingham. Black Sabbath grew up in Birmingham. It’s still my hometown and I resent having to arrive at such a difficult choice.
Although the statement was made that, “the door is always open” for me, as explained above, walking through that door is not always as easy as it sounds. There are many complicated issues and unseen and unspoken agendas on hand. I can assure you, my criteria for a “signable” contract is based in mindful principles, respectability, and acknowledgement of my history within the band.
I hold no malice or resentment towards the other band members. I love them; I’m tolerant of them; I’m frustrated with them, as they may be with me. My fight has never been with them. I’ll love them forever. In my opinion, nobody wins this time; the band doesn’t win; the fans for an original lineup don’t win. Nobody wins, nobody. Even the ones who thought they did.
I didn’t want to make this decision, but I have to be honest and transparent. This is the statement I didn’t want to write; it’s the last thing I wanted to do. But, I have written it, and now it can go into the universe.
Since Spring of 2011, I’ve waited patiently and hopefully for a signable contract, you know the rest. I stand for the boy in the U.K., for the coming drum student, for all the drummers, who write their parts out and get stiffed on the publishing, I stand with the Sabbath fans chanting “Bill Ward” and asking “why?” and I stand with Tony and Geezer and Ozzy.
On a final note, even though I’m at an end with the upcoming announced concerts, I will remain with an open mind and a position of willingness to negotiate “signable” terms with Sabbath’s representatives in the future.
With all my heart and strength, I love you,
Bill's statement prompted this response from the Black Sabbath camp:
"We have decided not to make any detailed comment on Bill’s latest statement. There are two sides to every story. We have been working hard at rehearsals making excellent progress after Tony’s treatments and we have engaged a substitute drummer for the forthcoming shows. See you at Download."
In a further response to Ward's not being a part of the upcoming reunion, the new Black Sabbath website has removed him from seemingly all of the vintage images. All of the live and posed photos that form the backdrop have been edited or creatively covered in such a way as to completely remove Ward. The site design itself is pretty cool, but it is complete BULLSHIT to eliminate any image of Ward, erasing his comtributions and not acknowleging him in any way. It's just stupid and I won't be frequenting the site.
Wednesday, May 16th marked the secondary anniversary of the passing of legendary singer Ronnie James Dio (Elf, Black Sabbath, Rainbow, Dio, Heaven & Hell) from stomach cancer at the age of 67.
Former bandmate Tony Iommi said: "I've been thinking of you old friend while dealing with my own health issues over the last six months and remembering the good times."
Bassist Geezer Butler added: "Ronald – two years – still missing you."
Tony Iommi interview for ‘Iron Man’ book release wins a ‘Telly Award’, Black Sabbath hometown gig sells out
Last November Tony Iommi released his autobiography, 'Iron Man: My Journey Through Heaven and Hell with Black Sabbath,' and reporter Damian was in Ridgewood, New Jersey to cover the signing. At the time Damian produced a three and a half minute video which had interview segments with both Tony himself, as well as folks who were waiting in line to see him. That segment has now won the 'Telly Award' in the category of 'Live Event (segments) for Internet Broadcast.'
Founded in 1979, the Telly Awards is the premier award honoring outstanding local, regional, and cable TV commercials and programs, as well as the finest video and film productions, and web commercials, videos and films. The Telly Awards annually showcases the best work of the most respected advertising agencies, production companies, television stations, cable operators, and corporate video departments in the world. The Telly Awards is a widely known and highly respected national and international competition and receives over 11,000 entries annually from all 50 states and many foreign countries.
This is the first time they’ve expanded their awards to include internet video and to celebrate, the full interview segment he did with Tony back on that day has now been released. The winning video segment released last November only has bits from that. Tony talks about a possible "new album" with Ian Gillan, which is interesting considering the news from earlier this week about the WhoCares album being released. This interview was also done just about eight weeks before he publicly disclosed he had cancer.
Black Sabbath's special concert next month in their hometown of Birmingham, England, serving as a warm-up for their June 10 headlining set at the UK's Download Festival, is officially sold out. The intimate homecoming show will take place May 19th at the O2 Academy, and will mark the group's first performance in Birmingham in 13 years. A portion of the proceeds raised by the concert will be donated to the Help for Heroes charity.
The announcement for the Birmingham gig only mentioned Ozzy Osbourne, Tony Iommi and Geezer Butler, so obviously Bill Ward still has not worked out the contractual differences to get back in the fold. Ward still has not been offered a contract that he deemed "signable."
The group currently has one other upcoming concert on its schedule, a U.S. date at the Lollapalooza festival in Chicago on August 3rd. The band will finish work on their album following that headlining appearance.