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Tag: Glen Helen Regional Park

‘US Festival 1982: The US Generation Documentary’ to be released on 30th Anniversary of original concert (video)

by on Jun.06, 2012, under CD/DVD RELEASES, LINKS, ROCK NEWS, VIDEO

‘US Festival 1982: The US Generation Documentary’ to be released on 30th Anniversary of original concert (video)

A fantastic new documentary on the origins of the 1982 US Festival will be released on September 3rd to coincide with the 30th anniversary of the event. The movie will document the origins of the festival and how Steve Wozniak's goal of bringing music, technology and people together happened. I didn't get to attend the '82 US Festival, but was there for the 1983 US Fest, and am enthralled by anything that has to do with the US Festivals, so I am really looking forward to what looks like an awesome documentary. Here's the official press release, followed by a couple of clips from the upcoming documentary:

ICON Television Music, UNUSON Corporation and Plum Moving Media announce the making of the definitive 1982 US Festival feature length documentary.

“This film is the only authorized and sanctioned documentary of the 1982 US Festival”, according to Carlos Harvey, CFO, UNUSON. ”It captures the cultural essence of the festival and tells the behind-the-scenes stories the fans will appreciate. I’ve had thousands of calls & emails from attendees over the years about when we’ll release a film about the US Festival. After 30 years it seems like the right time so the fans can relive the experience and we can create new fans too”.

On a blistering hot Labor day weekend in 1982, legendary Apple co-founder, Steve Wozniak’s vision played-out in the 110 degree California sun.

Over 375,000 people gathered at Glen Helen Regional Park in San Bernadino, for three days of music and technology. The festival stage was built with the largest sound system constructed at the time. Over 400,000 watts of sound power combined with the first ever large scale video-trons used for live stage performances. Technology exhibits in five air-conditioned tents displayed the latest in cutting-edge computers, software, video games and electronic musical devices.

“The US Festival was not a charity event”, stated Steve Wozniak, co-founder of Apple and CEO of UNUSON. “It was a rock concert to bring music, technology and people together. It was an event to unite government, industry, science and education to improve the quality of life for everyone.”

Woz was keenly aware that computer technology was about to bring access to information to the masses like never before. He wanted to present the computer as a humanizing force in society. And so, the US Festival was a celebration, a coming-out party for the technology and the US decade. In a way, the US Festival was the birthplace of the first computer generation.

“The current boom in computer technology offers us one of the best ways to bring people together. I don’t know where this will lead, but if we have communicated the power of working together to the quarter million or so of you here at the festival, and shown how effective future technology will be in helping us do that, we feel that we will have been successful.” – Steve Wozniak, 1982

The documentary will feature legendary performances and interviews. The concert headliners included:
■ ~ B-52′s
■ ~ Fleetwood Mac
■ ~ Police
■ ~ Ramones
■ ~ Santana
■ ~ Talking Heads
■ ~ Tom Petty and the Heartbreakers

Exclusive interviews with Steve Wozniak and UNUSON President, Carlos Harvey reveal how Woz’s vision and 57 acres of desert park was transformed into the world’s largest outdoor amphitheater. With the enlistment of renowned concert promoter, Bill Graham, the stage was set for a world-class 80’s cultural event.

Glenn Aveni, the films’ Director and President of ICON Television Music, Inc. brings back to life incredible performances from the premier artists of the decade. Original video footage and audio tapes will be re-mastered combined with new interviews shot in high definition. The film chronicles the people, events and history that lead to the creation of this iconic festival.

“As a filmmaker and musician, what stands out is the resonance of Wozniak’s original idea – “Unite Us In Song”, and the fact his vision and humanity are felt 30 Years later in the way we all access music, mostly through Apple products of today such as iTunes, iPod etc.”.

Participant, artist and event organizer interviews uncover some of the “making of” stories and misconceptions that have become urban legend over the years.

“The release of the documentary will coincide with the 30th anniversary of the event on Labor Day, September 3rd, 2012", said Bruce Gibb, co-owner of Plum Moving Media, Inc. “Our Milwaukee based company is delighted to be partnered with UNUSON and ICON. It is our love of music and Apple products that attracted us to be involved in this project, plus our skills and experience are suited for telling this story.”

About ICON Television Music, Inc. || icontvmusic.com

ICON, Sherman Oaks, CA, is, an award winning, global production and distribution company of music biographical documentaries, feature length films, television programs and series. Founded in 2003 by President Glenn Aveni, credits include “Ascap Deems Taylor Award winner LES PAUL CHASING SOUND”, “Peabody Award winner BHUTTO” and “JOHN ENTWISTLE: AN OX’S TALE”.

About Plum Moving Media, Inc. || plummovingmedia.com

Plum Moving Media, Milwaukee, WI, is a multi-media, broadcast and events producer. Founded in 1997, Plum creates high quality communications that entertain, motivate, recruit, educate, generate sales, raise funds, train, stir emotions, introduce concepts/products, and meet objectives. Full service, award winning, professional storytellers.

About UNUSON Corporation

UNUSON, Silicon Valley,CA, is the company founded by Apple co-founder Steve Wozniak during the US Festival Days. It stands for “Unite Us in Song”. UNUSON is the exclusive rights holder of the US Festival wordmarks and trademarks and is still involved with global media, technology projects and philanthropic ventures, focusing primarily on computer capabilities in schools and creativity for students.

Stewart Copeland of The Police Reminisces About the '82 US Festival


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Peter Ellis, US Festival president and co-founder, recounts a story about Steve Wozniak handing over a two million dollar check to get the Festival started.

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In this new clip John Collins compares the 'US' Festival to Woodstock.

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Check out more on the documentary and all the cool video and pictures at the movie links:
Facebook: http://www.facebook.com/usfestmovie
Twitter: http://www.twitter.com/usfestmovie
YouTube: http://www.youtube.com/usfestmovie

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US Festival Heavy Metal Day 1983 Anniversary is today! Memories and a recap…I was there!

by on May.29, 2011, under MEDIA VAULT, ROCK B-DAYS/TODAY IN ROCK, ROCK NEWS, VIDEO

US Festival Heavy Metal Day 1983 Anniversary is today! Memories and a recap…I was there!

Today is the 28th Anniversary of the 1983 US Festival. The US Festivals (US pronounced like the pronoun, not as initials) were two early 1980s music and culture festivals sponsored by Steve Wozniak, formerly of Apple Computer. The first was held Labor Day weekend in September 1982 and the second was Memorial Day weekend in May 1983. The 1982 US Festival was the first major festival since Cal Jam II that was not a charity concert—it was intended to be celebration of evolving technologies; a marriage of music, computers, television and people. That continued in 1983, even though Wozniak had lost millions on the first US Festival. The festival also had large air-conditioned tents featuring the US Festival Technology Exposition— a dazzling display of then-cutting edge computers, software, and electronic music devices. Also making a debut were installations of "out-door rain" - perforated pvc nozzles that sprayed water to fight the fierce hundred degree heat.

I attended Heavy Metal Day in 1983 with my friend Robert and arrived on Saturday May 28 during New Wave Day. There was a sea of cars, miles of them, and thousands of people milling around everywhere. School buses would take you back and forth to the entrance to this new make-shift venue. I do remember shortly after finding a spot to park  some guys in a panel truck backed in asking if the spot was taken opposite of us. We said "no", they parked and then opened up the back of the truck, loaded with two kegs and the party was on.

There was small creek within walking distance near by, and we walked over there to cool off since it was close to 100 degrees that day. There was a hillside with a sharp incline on the other side of the creek, and many people scaled (or tried to scale) it during the day and in the time we were there. There was plently of poison ivy around so you weren't going to catch me scaling anything. I saw a few people walk right through or fall onto poison ivy, I could imagine that probably made the concert the next day really fun. I also remember hearing Oingo Boingo, English Beat and Flock Of Seagulls during the day when we were within the vicinity of the venue.

Steve Wozniak paid for the bulldozing and construction of this new open-air field venue as well as the construction of an enormous state-of-the-art temporary stage at Glen Helen Regional Park near Devore, San Bernardino, California. This site was later to become home to Blockbuster Pavilion—now San Manuel Amphitheater. Apparently the festival stage has resided at the Disneyland theme park in California since 1985 and had operated under various names and functions as the Videopolis dance club, the Videopolis Theatre, and the Fantasyland Theatre. On that day it was soon to have some of the best rockers of the era on it.

As darkness fell and more and more people arrived for Heavy Metal Day, one big night-time Rock Festival within itself started. KMET and KLOS blarred from car stereos, as well as music from the cassette decks and boom boxes of the bands we would be hearing the next day. The smell of BBQ's and marijuana billowed into the air. We walked around in this small city of rockers that seemingly extended forever. It definitely was one huge party, with bonfires everywhere and virtually no supervision. We partied that night, and went to sleep in the car eagerly anticipating what was to come the next morning.

We woke up, stretched out from sleeping in odd postions in the car, and made our way the few miles to the entrance to the venue. It was early in the morning, probably 8am or so, and there was already thousands of people waiting to get inside, looking to get as close to the stage as possible. Once we got inside concert goers had layed blankets down, taking claim to their spots. Somehow a few got in, considering there was no coolers, outside food, chairs or towels being allowed. Those with blankets, ect., lasted for awhile, but slowly but surely, as the day progressed, so did the intensity of the crowd. Needess to say, no one was sitting down or laying on a blanket and all of that was swallowed up in this mass of people.

Here was the lineup and times:
Sunday May 29th:
Quiet Riot [12:10 - 12:50 pm]
Motley Crue [1:20 - 2:20]
Ozzy Osbourne [2:50 - 4:00]
Judas Priest [4:30 - 5:40]
Triumph [6:10 - 7:20]
Scorpions [7:55 - 9:10]
Van Halen [10:00 - midnight]

Finally the time had arrived with the first rock act hitting the stage: Quiet Riot. Randy Rhoads (who left to play with Ozzy in 1979) had passed away by now, and Quiet Riot had long since found Carlos Cavazo to play guitar. The Los Angeles metal scene was taking over, and Quiet Riot as well as Motley Crue were the two biggest new bands to come out of L.A. at this time. Quiet riot was raring up the charts with the "Metal Health" album, which ultimately became the first metal album to go #1 on the Billboard charts. The late Kevin DuBrow instantly got the crowd fired up, and it didn't stop for hours! Heat exhaustion to go around!


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"It was the day new wave died and rock n' roll took over" - Vince Neil, in a famous quote regarding the overwhelming attendance on Sunday, "Heavy Metal Day", at the '83 US Festival. It set the single-day concert attendance record for the US with an estimated 375,000 people. Showtime recorded the event and aired a 90-minute special for each day of
the festival, which is where most of this footage comes from. Motley Crue had not yet released "Shout At The Devil", but it was due out soon, and the band performed songs from the album. Motley really was coming into their own at this point and their following was growing and growing nation and worldwide.

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Ozzy Osbourne rocked the US Festival with the first live performance with guitarist Jake E. Lee, who shined in this huge first gig. The head dress Ozzy wore during the show was well publicized and photographed, even though it only lasted for a few seconds before he tore it off. Ozzy's band at this time included Jake E. Lee, Bob Daisley on Bass, Tommy Aldridge on drums and Don Airey on keyboards. Ozzy released "Bark At The Moon" later that year.
It was blazing hot during his set, with the crowd looking for the "out-door rain" stations to cool off, before heading back into the madness! The concert organizers actually gave away water to the crowd, something that would never happen these days.

"Paranoid" & "Mr. Crowley"


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"Crazy Train"

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Judas Priest hit the stage next and thankfully near the end of it, the temperature started to cool down a bit. The Metal God and the rest of the band were at their peak in 1983, a fully confident unit, effortlessly rocking everyone and everywhere they played. The "Screaming For Vengeance" album was just huge, and when the band played "You've Got Another Thing Coming" the crowd went absolutely fucking nuts!


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As canadian trio Triumph got ready to hit the stage next, the crowd got a second wind, as the temperatures dropped and the rock kept on coming. Rik Emmett, Gil Moore and Mike Levine were ready to put on the show of their life, and they didn't dissapoint. The band had a great core of material to work with at this point, and had released the album "Never Surrender" earlier in 1983. Great set as the sun set! The band released a live DVD of the US Festival set back in 2003, so there is all of their full set here. They were smart to retain the rights to the video for their set. Awesome footage:


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The Scorpions were up next and just fucking blew doors! They were another band who I really felt were at or close to their peak of impact. Sure, they still released "Love At First Sting" a year later, but played the US Festival with a full arsenal of rock from the "Blackout" album and their past catalog. Just an awesome set!!


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Before Van Halen hit the stage, there was a fake UFO flying around. It looked so fake, it just semed stupid and I didn't really see the point in it, somebody was trying to be creative I guess?

Van Halen received an upfront sum of $1 million to headline the 1983 US Festival. It was then upped to $1.5 million after it was discovered that David Bowie was to be paid $1 million. Van Halen had a clause in their contract that they would be paid more than any other act performing at the festival. In contrast, on New Wave Day, The Clash refused to play unless some donations were made to charities or other such noble causes by Wozniak and some of the other major bands. Before the Clash began their set they made angry comments about the barrio conditions in Los Angeles. After The Clash performed, the DJ began speaking right away and Clash guitarist Mick Jones attacked the DJ, believing he was trying to prevent an encore.

This and The Clash's ironic criticism of the festival in the press conferences and in interviews prior to the event caused an argument backstage between Van Halen frontman David Lee Roth and The Clash singer Joe Strummer. This may have also been started by a comment guitarist Eddie Van Halen made in Rolling Stone magazine one month prior regarding the punk movement ("...that's like what I played in my garage when I was a kid, man."). A clearly intoxicated Roth compounded this rivalry by insulting The Clash on stage early during Van Halen's headlining set with his comment, "I wanna take this time to say that this is real whiskey here... the only people who put iced tea in Jack Daniel's bottles is The Clash, baby!" This was Roth's only mention of The Clash on stage that night. Many people in the audience thought Roth was way tto drunk and the show suffered because of it. I stayed longer than most however, as it had been a long, long day. We heard "Happy Trails" as we were heading out. Looking back on the video, I wouldn't really change anything about their performance though, because it was Van Halen history!

Here's an interview with David Lee Roth from MTV with Mark Goodman:


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Here's another with Richard Blade


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Here's Paraquat Kelly from KMET backstage before the show. I remeber watching this and just getting pumped up for the Van Halen party!

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The set kicked off with "Romeo's Delight". Here's the whole set except for "I'm So Glad", the Cream cover and "Happy Trails" (Roy Rogers) which wrapped up the show, which they didn't get video release for.

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We after we made our way back to our vehicle, partied a bit and  mellowed out while recollecting about what an amazing day it had been we crashed and got ready for the trek back home. My one last memory of US Festival '83 goes like this: I became separted from my friend Rob after hopping out of his vehicle to retrieve something from someone while in line to exit. I then couldn't find his car in the sea of vehicles. Don't ask me why I got out of the car..anyway, I was lucky enough to find a couple of guys who I had met before that lived in Pismo Beach, near my hometown. Yeah, I had to ride in the back seat for hours in a Trans Am with virtually no leg room (my knees were up in my face), and couldn't walk when I got out, but these guys gave me a ride to my front door. Looking back, I can't believe my parents let me go to this show, since I was a sophmore in high school, but I am glad they did. My daughter would certainly not be going away to a music festival as decadent as this one, although they don't do festivals like this in the U.S. anymore. It was insane fun and it was my Woodstock and I'll never forget it!

Here's an Artisan News Report from June of 2010 about that years Ozzfest, where Ozzy, Judas Priest's Rob Halford and Motley Crue reflected on the last time they had all played together...it was at the US Festival:


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