Tag: The Clash
2012 Isle of Wight Festival recap: Pearl Jam, Tom Petty, Bruce Springsteen, Black Stone Cherry (video)
The Isle of Wight festival last weekend promised to be one of the concert events of 2012, and despite the rain and mud, it delivered. Pearl Jam, Tom Petty and the Heartbreakers, along with Bruce Springsteen and the E Street Band delivered memorable headlining sets, and Black Stone Cherry returned for another rocking appearance. Check out the footage below.
In case you don't know, The Isle of Wight is a county and the largest island in England, located in the English Channel, on average about 2–5 miles off the south coast of the county of Hampshire, separated from the mainland by a strait called the Solent. The Isle of Wight Festival is an legendary concert experience, originating in 1968.
Here's one of my fav's Black Stone Cherry, with the only footage I've found posted of their set. VH1 Classic in the U.S. aired some of the SkyArts footage last Sunday night, but I didn't tune in early enough to see and BSC. They did show Bruce Springsteen, Tom Petty and Pearl Jam, and much of that footage in available below as well.
Pearl Jam had an incredible set, which included many of their most well known tracks. At one point in the set, Eddie Vedder stopped down to speak about his admiration for the late Clash singer Joe Strummer and how he was on their minds as they played the festival. Vedder explained, "He would have loved this place. We were thinking about it on the way here, and sad to say, it’ll be almost 10 years in December he’s not been with us." The band then kicked into 'Arms Aloft' from Strummer’s late-in-life group the Mescaleros. The group has trotted out the cover at several stops over the past year.
Pearl Jam also performed a cover of the Beatles 'Rain' as a bit of commentary on the situation, and included the Ramones 'Blitzkrieg Bop,' the English Beat's 'Save It for Later,' and Jimi Hendrix's 'Little Wing' were infused into 'Daughter,' 'Better Man,' and 'Yellow Ledbetter.'
Pearl Jam’s Isle of Wight Festival Set List
1. Unthought Known
2. Last Exit
3. Hail Hail
4. The Fixer
6. Elderly Woman Behind the Counter in a Small Town
8. Given to Fly
11. Even Flow
12. Setting Forth
14. Arms Aloft
16. Why Go
17. Got Some
18. Daughter/Blitzkrieg Bop
19. Just Breathe
20. Better Man/Save It for Later
24. Yellow Ledbetter/Little Wing
Tom Petty played his first ever U.K. festival headlining gig at the Isle of Wight Festival on Friday (June 22). It was part of his first U.K. trek in 20 year. The show opened with the 1978 classic track 'Listen to Her Heart' followed by 'You Wreck Me,' and hits like 'Don’t Come Around Here No More,' 'Free Fallin',' and 'Learning to Fly.'
Petty and the Heartbreakers then busted out some surprises, including the well-know Traveling Wilburys track 'Handle with Care' and Fleetwood Mac's 'Oh Well,' before wrapping up the set with 'Mary Jane’s Last Dance' and 'American Girl.'
Petty will complete his current European run with dates in the Netherlands, Germany, France and Italy.
Tom Petty’s Isle of Wight Set:
1. Listen to Her Heart
2. You Wreck Me
3. I Won’t Back Down
4. Here Comes My Girl
5. Handle with Care
6. Good Enough
7. Oh Well
8. Something Big
9. Don’t Come Around Here No More
10. Free Fallin'
11. It’s Good to be King
12. Something Good Coming
13. Learning to Fly
14. Yer So Bad
15. I Shoulda Known It
17. Runnin’ Down a Dream
18. Mary Jane’s Last Dance
19. American Girl
Bruce Springsteen and the E Steet Band wrapped up the festival with an epic three-hour set, closing on June 24th with a cover of "Twist and Shout," the 1962 Phil Medley and Bert Russell song made famous by the Isley Brothers and the Beatles. Though rain and mud overtook the island, the enthusiastic crowd kept the energy level high from beginning to end. Springsteen lets loose with some dance moves and extended jam time for his bandmates. "I've got a fuckin' boat to catch!" he jokes halfway through the song. "I gotta get on a fuckin' boat!"
Springsteen's "Wrecking Ball" tour is currently in Europe through July 31st, before continuing in North America on August 14th.
Bruce Springsteen and the E Street Band setlist:
2. No Surrender
3. We Take Care Of Our Own
4. Wrecking Ball
5. Death to My Hometown
6. My City of Ruins
7. Spirit in the Night
8. Lonesome Day
9. Jack of All Trades
10. Atlantic City
11. Because the Night
12. Working on the Highway
13. Shackled and Drawn
14. Waitin' on a Sunny Day
15. The River
16. The Rising
17. Out in the Street
18. Land of Hope and Dreams
19. We Are Alive
20. Born in the U.S.A.
21. Born to Run
22. Glory Days
23. Dancing in the Dark
24. Tenth Avenue Freeze-Out
25. Twist and Shout
Record Store Day is coming! Check out 2012 releases, Ambassador Iggy Pop shares vinyl memories (video)
Record Store Day 2012 is upon us next weekend (April 21) and a more than worthy Iggy Pop is the 2012 Ambassador. Record Store Day started five years ago when 700+ American indie stores came together to celebrate record store culture. It always takes place on the third Saturday in April. The U.K. followed suit, with 2012 marking its fourth celebration as an independent sector. Similar to the U.S., the U.K. indie stores partner with bands to celebrate art of music with special exclusive releases that are desirable to own and fun to collect. Iggy will be making his own Record Day Store stop at Sweat Records for Sweatstock in Miami, Florida. If you're in the area, get over there!
Check out this fantastic video of Ambassador Iggy sharing his vinyl memories. He talks about his first purchase, working in a record store, and so much more: www.recordstoreday.com
There is an abundance of rock being released again this year, with this list of artists worth noting: 311, Amberlin, Arcade Fire, Aretha Franklin/Otis Redding, Brad, Bruce Springsteen, David Bowie, Disturbed, Eddie Vedder, Flogging Molly, Garbage, Genesis, Grace Potter and The Nocturnals, Eve 6, Iggy Pop and The Stooges, Janis Joplin, Jimmy Fallon (Tebowie), Joey Ramone, Little Richard, Mastodon/Feist, Metallica, Misfits, Ozzy Osbourne, Paul McCartney, Pete Townshend, Phish, Rainbow, Rival Sons, Small Faces, Switchfoot, T. Rex, The Black Keys, The Byrds, The Chris Robinson Brotherhood, The Clash, The Cult, The Grateful Dead, The Knack, The White Stripes, Social Distortion, Lou Reed, Paul Simon, and many more.
Please support your local Record Store! It is more important than you know. With the talk of Best Buy closing stores, and the past bankruptsy of Circuit City, our local Record Stores are one of the last places to be exposed to and buy new music in that type of enviroment. Fuck Wal-Mart (and Best Buy and Circuit City for that matter), we need to keep the experience alive of going to a business where they care about all music and care about exposing new artists of merit. The shared experience and coolness of a howntown record store CANNOT go away!! Get all the info and the stores near you here: www.recordstoreday.com
Let's highlight a few of the releases. Metallica's four-song EP called "Beyond Magnetic", which was made available digitally in December, and as a physical CD in January, will be released on silver vinyl to celebrate Record Store Day on April 21. The effort consists of the quartet of previously unheard tracks that the band unveiled in concert in December during its 30th-anniversary celebration. All four tunes, 'Hate Train', 'Just A Bullet Away', 'Hell And Back' and 'Rebel Of Babylon' were recorded during the sessions for the band's 2008 'Death Magnetic' album but left off the final track list. The studio versions of all four songs- all rough mixes were sent to Metalica fan club members one at a time, after each song was performed live during each of the band's four shows at the Fillmore in San Francisco.
Metallica talks Record Store Day: "We've always been big supporters of our friends at independent retail and the annual event the third Saturday of each April... we even helped kick off the first year in 2008 with an in-store appearance at one of our hometown stores! To add to the fun, this is no ordinary black vinyl release, but instead will be on silver vinyl with an exclusive Metallica sticker included in the package. Look for the EP on the special Saturday release date at your favorite local record store and on Metallica.com."
Legacy Recordings, the catalog division of Sony Music Entertainment, will release an Ozzy Osbourne seven-inch and 12-inch vinyl release. The Ozzy releases for Record Store Day 2012 are:
-'Live' 12-inch 180-gram audiophile vinyl LPs (two-disc set): A limited, numbered collector's edition recorded live on the 1981 'Blizzard Of Ozz' tour with legendary guitarist Randy Rhoads
-'Believer' live seven-inch single: A limited, numbered collector's edition on polka-dot vinyl featuring 'Believer' (live) + 'Goodbye to Romance' (2010 guitar and vocal mix)
A vinyl re-issue of David Bowie’s 1972 single 'Starman' will get the special treatment on Record Store Day when it’s re-released as a limited-edition picture disc. The A-side will be the original single version, whereas the B-side will be the version of 'Starman' from the legendary (mono) 'Top Of The Pops' TV performance.
Bruce Springsteen's 'Rocky Ground' will be available as a 45 on Columbia, with the tracks: 'Rocky Ground' and 'The Promise.' 'Rocky Ground' is from Bruce's latest album 'Wrecking Ball' and 'The Promise' is Live from The Carousel, Asbury Park (audio taken from the DVD 'The Promise: The Making of Darkness on the Edge of Town')
Disturbed will be release a definitive vinyl box-set edition, 'The Collection.' The 5 LP-set includes the original track listing from the band's entire full-length catalog: 'The Sickness,' 'Believe,' 'Ten Thousand Fists,' 'Indestructible' and 'Asylum' and is pressed on 140-gram vinyl.
Our Record Day Ambassador Iggy Pop and the Stooges will release a 12" Picture Disc 'Live at All Tomorrows Parties'
"Night Theme/Beyond the Law"
"I Wanna Be Your Dog"
"Open Up And Bleed”
Tracks from Iggy and the Stooges' All Tomorrow's Parties performance were hand selected by the band, along with a rare Iggy Pop interview by Greg Prato. It also comes with a download card offering the complete RAW POWER performance.
Janis Joplin's 'Highlights From the Pearl Sessions' will be released by Columbia on 10" vinyl, It's an exclusive RSD vinyl companion to the 2 CD reissue of Pearl (being released as The Pearl Sessions). Highlights from The Pearl Sessions presents an alternate view and an inside look at the Pearl recording sessions, with several previously unreleasd and almost-never-heard alternate takes and early versions of classic songs.
Jimmy Falon's 'Tebowie' will be available for the first time ever. It comes from a parody on his show of a David Bowie impression with lyrics about (now New York Jets quarterback) Tim Tebow. Tracks 'Tebowie' and 'Reading Rainbow.'
Joey Ramone will release a 45 with the tracks 'Rock 'n' Roll Is the Answer' and 'There's Got To Be More To Life'
Mastodon/Feist aka Feistodon 'Common/Black Tongue'
Double A-Side. Mastodon covers Feist's 'Commotion,' Feist covers Mastodon's 'Black Tongue'
Paul McCartney 'Another Woman/Oh Woman Oh Why' on 45. A classic Paul McCartney vinyl single reissue manufactured exclusively for Record Store Day! "Another Day" was originally recorded in 1970, during the sessions for the album Ram. It was the first single of his solo career. It was originally released February 19, 1971 with 'Oh Woman, Oh Why' as the B-side. Upon its release 'Another Day'/'Oh Woman, Oh Why' reportedly sold over a million copies worldwide. It was a number one hit in France and Australia, in the U.K. it reached number two, in the U.S. it reached number five. This exclusive reissue single is taken from the forthcoming Paul McCartney Archive Collection edition of Ram
The Byrds 'I'll Feel A Whole Lot Better/It's No Use' on 45
Switchfoot's 'Vices-Reverses' will be released as a CD EP
'The Original (JT Daly of Paper Route Remix)'
'Selling The News (Photek Remix)'
'Blinding Light (Adam Young of Owl City Remix)'
'Dark Horses (JT Daly of Paper Route Remix)'
'Vice Verses (Darren King Remix)'
'War Inside (DnJ Remix)'
The Clash 'London Calling 2012'
'London Calling 2012 Remix'
'London Calling Instrumental 2012'
The White Stripes 'Hand Springs' and Red Death at 6:14' on 7" 45 black and red swirled vinyl. Continuing in the mission of reissuing the nuggets of the White Stripes’ back catalog, Third Man plays Dr. Frankenstein/matchmaker to two stand-alone songs from the high time of the year 2000. “Hand Springs” was originally released as a split-single with the Dirtbombs and included free in issue #19 of Multiball magazine. “Red Death at 6:14” was initially released on the Jack White-produced compilation “Sympathetic Sounds of Detroit” and was later made available as a one-sided single from the folks at MOJO magazine. Both songs are quintessential White Stripes jams and finally pairing them together here makes (arguably) one of the best Stripes singles ever
Social Distortion 'Hard Times and Nursery Rhymes' Limited Edition (750) Colored - Lime Green Vinyl. Includes: CD of album and 18" X 24" Poster. Randomly selected pieces will have an autographed poster inside.
Check out this preview of a few of the upcoming releases and extras, and support your local Record Store!
LOS ANGELES -John Rigers (AP)-- He spent two years in a federal lockup for trying to sell cocaine to undercover agents, and all Wayne Kramer can think about these days is trying to find a way to get back behind bars.
This time, though, the guitar god for rock music's seminal pre-punk band, the MC5, wants to bring his ax with him – and a few dozen others for the inmates to play.
With a little help from friends like the Foo Fighters' Chris Shiflett, former Guns `N Roses guitarist Gilby Clarke and others, Kramer has formed Jail Guitar Doors USA.
He runs the nonprofit charitable organization with his wife, Margaret, out of the Hollywood studio where he makes a comfortable living these days composing music for movies and television. Over the past two years, Jail Guitar Doors USA has delivered scores of instruments to prisons and jails in Nevada, California and Texas.
"He's a great man. He's taken his skill, his talent and he's putting it to use, giving back to society," says Deputy David Bates, who has worked with Kramer in bringing guitars to several jails run by the Los Angeles County Sheriff's Department. Bates, who calls music "the universal language," says he's seen the positive impact it has had on inmates.
So, Kramer says, has he. In his case, first hand.
"When I played music in prison, I wasn't in prison anymore," he says, as he sits in his studio over a lunch of vegetarian Thai food.
"And that's what we're trying to accomplish with the instrument donations," he continues. "That this is a way that you can get through this time, that you can go someplace else, you can get involved in your guitar."
Kramer, who is 63, is dressed in blue jeans and a plaid flannel shirt over a white T. Although he still looks about as thin as he did in the days when he was tearing up tunes like "Kick Out the Jams," the huge white-guy Afro that once nearly defined him as much as his guitar has given way to thinning close-cropped hair.
He was still in his 20s when he arrived at the federal prison in Lexington, Ky., in the 1970s, scheduled to do four years for trying to sell $10,000 worth of cocaine.
The place was bleak and dispiriting, especially for someone who had been a rock star just a few years before. But Kramer would soon discover there was a music class there. It was taught by the legendary jazz trumpeter Red Rodney, who was doing time himself for a heroin bust.
"He'd been to Lexington three times. ... He was kind of like the mayor of the prison," Kramer recalls, laughing. "He taught music theory."
The guitarist studied with him and, after he was paroled early, returned to the music business. But he still struggled for years to keep from going back.
The MC5, which had helped define punk rock with its screaming guitar chords and intense lyrics, had long since broken up, and Detroit's music scene had died along with the city's economy. Kramer, meanwhile, was still drinking heavily and associating with drug users, a prescription for violating parole.
So he moved to LA, got sober and began to do music for films like "Talladega Nights: The Ballad of Ricky Bobby."
He also put together a reconstituted MC5 and took it on a world tour, subbing in people like Clarke and Handsome Dick Manitoba of the Dictators for founding members "Fred "Sonic" Smith and Rob Tyner, who had died of heart attacks in their mid-40s.
Throughout the tours and other projects, however, Kramer kept yearning to give something back to those he'd left behind in prison. Many of them, he says, were similar to him: young guys looking at years behind bars for doing something stupid involving drugs.
"Clearly I knew I was doing wrong," he says of his own bust. "But these guys had briefcases full of money, and I'm out of work, and I look at those hundred-dollar bills and say, `Hmmm, let me make some calls.'
"I'm not Pollyannaish about it," he says of prison life. "There are some people who aren't going to change, aren't interested in changing and need to be locked up. I would put it at maybe 15 percent.
"But," he quickly adds, "that leaves 85 percent."
That thought led him to start visiting prisons, and it was at a concert he put on at Sing Sing in Ossining. N.Y., that Jail Guitar Doors USA was born.
One of the musicians he'd invited to take part was old friend Billy Bragg, and the British rocker arrived with the words Jail Guitar Doors written across his guitar.
He told Kramer he'd recently formed a group to help prisoners in his native England, taking the name for it from an old Clash song.
"Maybe you've heard it," Bragg told him.
"I said, `Yeah, I know the song, Billy," Kramer recalled with a guffaw. "It's about me."
He reminded him of the opening lyrics: "Let me tell you about Wayne and his deals with cocaine." The Clash had written it for Kramer when he was in prison. Thirty years later it would connect him to the cause he'd been looking for.
He began rounding up others to help. Finding them turned out to be relatively easy for a guy who had influenced a generation of guitarists.
"There aren't many people you can't speak too highly of, but Wayne is one of them," says Clarke who has gone behind bars with him. "The challenges he had in his life, the things he's overcome and the successes he's having now. And he's just one of the greatest guitarists there is. So when Wayne calls, I have to get involved."
Another was Shiflett, who first heard of Jail Guitar Doors through Bragg's website and visited a prison with him in England. When Kramer started his USA chapter, he quickly signed on. At one prison stop he taught a music workshop.
"We played a Bob Marley song," he recalled recently. "One of the most moving things about it, for me, was when we talked music there was no dissension at all. It was just a bunch of guys in a room talking about music."
Two years after its founding, Kramer would like to take Jail Guitar Doors USA nationwide. He knows that will take much more time, money and phone calls to people like Clarke and Shiflett.
But it's something he's committed to.
Variety reports that actress/director Julie Delpy (Before Sunrise, 2 Days in Paris) is set to direct a biopic based on the life of the Clash's Joe Strummer. The film is titled The Right Profile, after the Clash song that appears on the classic LP London Calling. According to Variety, the film will "focus on Strummer's life and his planned disappearance from the public spotlight in 1982."
Strummer died in December 2002, just a month before he and the Clash were inducted into the Rock and Roll Hall of Fame.
Today is the 28th Anniversary of the 1983 US Festival. The US Festivals (US pronounced like the pronoun, not as initials) were two early 1980s music and culture festivals sponsored by Steve Wozniak, formerly of Apple Computer. The first was held Labor Day weekend in September 1982 and the second was Memorial Day weekend in May 1983. The 1982 US Festival was the first major festival since Cal Jam II that was not a charity concert—it was intended to be celebration of evolving technologies; a marriage of music, computers, television and people. That continued in 1983, even though Wozniak had lost millions on the first US Festival. The festival also had large air-conditioned tents featuring the US Festival Technology Exposition— a dazzling display of then-cutting edge computers, software, and electronic music devices. Also making a debut were installations of "out-door rain" - perforated pvc nozzles that sprayed water to fight the fierce hundred degree heat.
I attended Heavy Metal Day in 1983 with my friend Robert and arrived on Saturday May 28 during New Wave Day. There was a sea of cars, miles of them, and thousands of people milling around everywhere. School buses would take you back and forth to the entrance to this new make-shift venue. I do remember shortly after finding a spot to park some guys in a panel truck backed in asking if the spot was taken opposite of us. We said "no", they parked and then opened up the back of the truck, loaded with two kegs and the party was on.
There was small creek within walking distance near by, and we walked over there to cool off since it was close to 100 degrees that day. There was a hillside with a sharp incline on the other side of the creek, and many people scaled (or tried to scale) it during the day and in the time we were there. There was plently of poison ivy around so you weren't going to catch me scaling anything. I saw a few people walk right through or fall onto poison ivy, I could imagine that probably made the concert the next day really fun. I also remember hearing Oingo Boingo, English Beat and Flock Of Seagulls during the day when we were within the vicinity of the venue.
Steve Wozniak paid for the bulldozing and construction of this new open-air field venue as well as the construction of an enormous state-of-the-art temporary stage at Glen Helen Regional Park near Devore, San Bernardino, California. This site was later to become home to Blockbuster Pavilion—now San Manuel Amphitheater. Apparently the festival stage has resided at the Disneyland theme park in California since 1985 and had operated under various names and functions as the Videopolis dance club, the Videopolis Theatre, and the Fantasyland Theatre. On that day it was soon to have some of the best rockers of the era on it.
As darkness fell and more and more people arrived for Heavy Metal Day, one big night-time Rock Festival within itself started. KMET and KLOS blarred from car stereos, as well as music from the cassette decks and boom boxes of the bands we would be hearing the next day. The smell of BBQ's and marijuana billowed into the air. We walked around in this small city of rockers that seemingly extended forever. It definitely was one huge party, with bonfires everywhere and virtually no supervision. We partied that night, and went to sleep in the car eagerly anticipating what was to come the next morning.
We woke up, stretched out from sleeping in odd postions in the car, and made our way the few miles to the entrance to the venue. It was early in the morning, probably 8am or so, and there was already thousands of people waiting to get inside, looking to get as close to the stage as possible. Once we got inside concert goers had layed blankets down, taking claim to their spots. Somehow a few got in, considering there was no coolers, outside food, chairs or towels being allowed. Those with blankets, ect., lasted for awhile, but slowly but surely, as the day progressed, so did the intensity of the crowd. Needess to say, no one was sitting down or laying on a blanket and all of that was swallowed up in this mass of people.
Here was the lineup and times:
Sunday May 29th:
Quiet Riot [12:10 - 12:50 pm]
Motley Crue [1:20 - 2:20]
Ozzy Osbourne [2:50 - 4:00]
Judas Priest [4:30 - 5:40]
Triumph [6:10 - 7:20]
Scorpions [7:55 - 9:10]
Van Halen [10:00 - midnight]
Finally the time had arrived with the first rock act hitting the stage: Quiet Riot. Randy Rhoads (who left to play with Ozzy in 1979) had passed away by now, and Quiet Riot had long since found Carlos Cavazo to play guitar. The Los Angeles metal scene was taking over, and Quiet Riot as well as Motley Crue were the two biggest new bands to come out of L.A. at this time. Quiet riot was raring up the charts with the "Metal Health" album, which ultimately became the first metal album to go #1 on the Billboard charts. The late Kevin DuBrow instantly got the crowd fired up, and it didn't stop for hours! Heat exhaustion to go around!
"It was the day new wave died and rock n' roll took over" - Vince Neil, in a famous quote regarding the overwhelming attendance on Sunday, "Heavy Metal Day", at the '83 US Festival. It set the single-day concert attendance record for the US with an estimated 375,000 people. Showtime recorded the event and aired a 90-minute special for each day of
the festival, which is where most of this footage comes from. Motley Crue had not yet released "Shout At The Devil", but it was due out soon, and the band performed songs from the album. Motley really was coming into their own at this point and their following was growing and growing nation and worldwide.
Ozzy Osbourne rocked the US Festival with the first live performance with guitarist Jake E. Lee, who shined in this huge first gig. The head dress Ozzy wore during the show was well publicized and photographed, even though it only lasted for a few seconds before he tore it off. Ozzy's band at this time included Jake E. Lee, Bob Daisley on Bass, Tommy Aldridge on drums and Don Airey on keyboards. Ozzy released "Bark At The Moon" later that year.
It was blazing hot during his set, with the crowd looking for the "out-door rain" stations to cool off, before heading back into the madness! The concert organizers actually gave away water to the crowd, something that would never happen these days.
"Paranoid" & "Mr. Crowley"
Judas Priest hit the stage next and thankfully near the end of it, the temperature started to cool down a bit. The Metal God and the rest of the band were at their peak in 1983, a fully confident unit, effortlessly rocking everyone and everywhere they played. The "Screaming For Vengeance" album was just huge, and when the band played "You've Got Another Thing Coming" the crowd went absolutely fucking nuts!
As canadian trio Triumph got ready to hit the stage next, the crowd got a second wind, as the temperatures dropped and the rock kept on coming. Rik Emmett, Gil Moore and Mike Levine were ready to put on the show of their life, and they didn't dissapoint. The band had a great core of material to work with at this point, and had released the album "Never Surrender" earlier in 1983. Great set as the sun set! The band released a live DVD of the US Festival set back in 2003, so there is all of their full set here. They were smart to retain the rights to the video for their set. Awesome footage:
The Scorpions were up next and just fucking blew doors! They were another band who I really felt were at or close to their peak of impact. Sure, they still released "Love At First Sting" a year later, but played the US Festival with a full arsenal of rock from the "Blackout" album and their past catalog. Just an awesome set!!
Before Van Halen hit the stage, there was a fake UFO flying around. It looked so fake, it just semed stupid and I didn't really see the point in it, somebody was trying to be creative I guess?
Van Halen received an upfront sum of $1 million to headline the 1983 US Festival. It was then upped to $1.5 million after it was discovered that David Bowie was to be paid $1 million. Van Halen had a clause in their contract that they would be paid more than any other act performing at the festival. In contrast, on New Wave Day, The Clash refused to play unless some donations were made to charities or other such noble causes by Wozniak and some of the other major bands. Before the Clash began their set they made angry comments about the barrio conditions in Los Angeles. After The Clash performed, the DJ began speaking right away and Clash guitarist Mick Jones attacked the DJ, believing he was trying to prevent an encore.
This and The Clash's ironic criticism of the festival in the press conferences and in interviews prior to the event caused an argument backstage between Van Halen frontman David Lee Roth and The Clash singer Joe Strummer. This may have also been started by a comment guitarist Eddie Van Halen made in Rolling Stone magazine one month prior regarding the punk movement ("...that's like what I played in my garage when I was a kid, man."). A clearly intoxicated Roth compounded this rivalry by insulting The Clash on stage early during Van Halen's headlining set with his comment, "I wanna take this time to say that this is real whiskey here... the only people who put iced tea in Jack Daniel's bottles is The Clash, baby!" This was Roth's only mention of The Clash on stage that night. Many people in the audience thought Roth was way tto drunk and the show suffered because of it. I stayed longer than most however, as it had been a long, long day. We heard "Happy Trails" as we were heading out. Looking back on the video, I wouldn't really change anything about their performance though, because it was Van Halen history!
Here's an interview with David Lee Roth from MTV with Mark Goodman:
Here's another with Richard Blade
Here's Paraquat Kelly from KMET backstage before the show. I remeber watching this and just getting pumped up for the Van Halen party!
The set kicked off with "Romeo's Delight". Here's the whole set except for "I'm So Glad", the Cream cover and "Happy Trails" (Roy Rogers) which wrapped up the show, which they didn't get video release for.
We after we made our way back to our vehicle, partied a bit and mellowed out while recollecting about what an amazing day it had been we crashed and got ready for the trek back home. My one last memory of US Festival '83 goes like this: I became separted from my friend Rob after hopping out of his vehicle to retrieve something from someone while in line to exit. I then couldn't find his car in the sea of vehicles. Don't ask me why I got out of the car..anyway, I was lucky enough to find a couple of guys who I had met before that lived in Pismo Beach, near my hometown. Yeah, I had to ride in the back seat for hours in a Trans Am with virtually no leg room (my knees were up in my face), and couldn't walk when I got out, but these guys gave me a ride to my front door. Looking back, I can't believe my parents let me go to this show, since I was a sophmore in high school, but I am glad they did. My daughter would certainly not be going away to a music festival as decadent as this one, although they don't do festivals like this in the U.S. anymore. It was insane fun and it was my Woodstock and I'll never forget it!
Here's an Artisan News Report from June of 2010 about that years Ozzfest, where Ozzy, Judas Priest's Rob Halford and Motley Crue reflected on the last time they had all played together...it was at the US Festival: